Thursday, December 14, 2017

LOUIS WARREN HISTORIAN AND THE GHOST DANCE

 He was completely ABSORBED IN  HIS MIND, HE MADE IT HIS WHOLE WORLD



CONFERENCE PRESENTATIONS “Great Basin Apocalypse: The Desert Origins of the 1890 Ghost Dance and the Environmental History of an American Religion,” American Society for Environmental History, San Francisco, CA, March 13, 2014. 10 “The Great Uprooting and the River of Money: Thinking About the Ghost Dance,” Plenary Symposium, Western History Association Annual Meeting, Tucson, AZ, October 10, 2013. “Boom: A Journal of California - - Academic Publishing and the Question of Change,” roundtable participant, Annual Meeting of the American Studies Association, San Antonio, TX, November 20, 2010. “Migration, Environment, and Redemption: The Crisis of Nevada in 1890,” paper delivered at the 79th Anglo-American Conference of Historians, London, UK, July 2 , 2010. “Boom: A Journal of California - -New Directions in Scholarly Publishing,” roundtable presentation, Annual Conference of the American Historical Association – Pacific Coast Branch, Santa Clara, CA, August, 2010. “Aridity, Millenialism, and the Origins of the 1890 Ghost Dance in the U.S. West,” paper delivered at the 124th Annual Meeting of the American Historical Association, Jan. 9, 2010. “Writing Buffalo Bill,” roundtable participant, South Dakota Festival of Books, Sept. 25, 2007, Deadwood, SD. “Finding the Edge: Writing Expansive Environmental History,” roundtable participant, American Society for Environmental History Annual Conference, March 1, 2007, Baton Rouge, LA. “Writing About Buffalo Bill,” roundtable participant, Western Writers of America, Cody, Wyoming, June 18, 2006. “Buffalo Bill: Work in Progress,” roundtable participant, Western History Association, Fort Worth, Texas, October 10, 2003. “Wilderness and Civilization,” American Society for Environmental History conference, Durham, North Carolina, March, 2001. “Cody’s Last Stand: Masculine Anxiety, the Custer Myth, and the Frontier of Domesticity in Buffalo Bill’s Wild West show,” Western History Association, San Antonio, Texas, October 14, 2000. "Poachers and Conservationists: State Authority, Local Resistance, and the History of the American West," Organization of American Historians, Chicago, Illinois, March, 1996. "Frontier and Commons: the American West in the Nineteenth and Twentieth Centuries," American Historical Association, Pacific Coast Branch, Maui, Hawaii, August 4-7, 1995. 11 "Shifting Ground: Indians, Conservationists, and Glacier National Park, 1910 - 1960," North American Wildlife and Natural Resources Conference, Minneapolis, Minnesota, March, 1995. "Conflicts in Common: Connecting Social, Political, and Environmental History," American Society for Environmental History conference, Las Vegas, Nevada, March, 1995. "Poachers and Conservationists: The American West as Frontier, Region, and Commons," Western History Association Conference, Albuquerque, New Mexico, October 23, 1994. "Local Hunters and State Authority: History, Ecology, and Social Conflict in American Hunting Grounds," American Society for Environmental History conference, Pittsburgh, PA, March 7, 1993. "A Changing Common Ground: Local Struggles over Wildlife Conservation in New Mexico, 1900-1930," Western Historical Association Conference, New Haven, CT October, 1992. "Trespassers, Poachers, and Conservationists: Local Struggle Over Access to American Wildlife," American Society for Environmental History Panel, North American Wildlife and Natural Resources Conference, Charlotte, NC March, 1992. "Patterns of Resistance and Alliance: The Decline and Fall of the Hillsville Black Hand," American-Italian Historical Association Conference, New Haven, CT, November, 1991.
The Rising of God’s Red Son: The 1890 Ghost Dance Gospels and the Crisis of the Arid West,” Pennsylvania State University, State College, PA, April 22, 2013.  

“The Great Uprooting: Indigenous People, Environmental Change, and the Spirit of the Modern World,” Simposio Dialogo Brasil-EUA em Historia Ambiental (Symposium: BrazilUSA Dialogue on Environmental History), University of Rio de Janeiro, Rio de Janeiro, 7 Brazil, March 14, 2013. “A Hole in the Dream: The Ghost Dance and the Making of Modern America,” Dept. of History, Rutgers University, March 7, 2013. “Ghost Dance in the Gilded Age: Messianic Politics in the Arid West,” 1st Annual Western History Water Symposium, Colorado State University, Fort Collins, CO, March 1, 2013.


BOOKS God’s Red Son: The Ghost Dance Religion and the Dawn of the Twentieth Century (under contract with Basic Books, New York; full draft in revisions.) Buffalo Bill’s America: William Cody and the Wild West Show (New York: Knopf, 2005)* * Recipient of the Albert J. Beveridge Prize of the American Historical Association, 2006. * Recipient of the Caughey Western History Association Prize for best book in western history, 2006. * Recipient of the Great Plains Distinguished Book Prize, awarded by the Center for Great Plains Studies, University of Nebraska, Lincoln, 2006. * Recipient of the Spur Award for Best Non-Fiction Historical Book, 2006, Western Writers of America. * Choice Outstanding Academic Title, 2005. The Hunter’s Game: Poachers and Conservationists in Twentieth-Century America (New Haven: Yale University Press, 1997)* * Recipient of the Western Heritage Award for Outstanding Non-Fiction Book, National Cowboy Hall of Fame and Western Heritage Center, 1998.



In 2005, Warren published Buffalo Bill’s America: William Cody and the Wild West Show(Knopf, 2005). A cultural biography of William Cody, this book explores how a child of the frontier Great Plains became one of America’s greatest showmen and the most famous American in the world. Much more than a story of one man’s life, the book explores how a nineteenth-century American decided that representing a version of his own life to mass audiences was a viable career, and how he attracted hundreds of performers – – Indians, cowboys, and Mexican vaqueros among others – – to join him in the traveling company town of the Wild West Show. Among the book’s core arguments is that peoples have empowered themselves by enacting or re – enacting even stereotypical mythologies about themselves. Buffalo Bill’s America was named a Choice Outstanding Academic Title, and was awarded the Great Plains Distinguished Book Prize of the University of Nebraska Great Plains Studies Center, the Western Writer’s of America Spur Award for Best Non-Fiction Book, the Caughey Western History Association Prize for best book in western history, and the Albert J. Beveridge Award of the American Historical Association (for best book about the history of the post-1492 Americas).

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